Lighting Design 'Heathers The Musical'
Act 2 Scene 8 (Finale)
Photo: Ben Fon
Lighting Design 'Heathers The Musical'
Act 1 Scene 1 (Beautiful Part 2)
Photo: Ben Fon
Lighting Design 'Heathers The Musical'
Act 1 Scene 1 (Beautiful Part 2)
Photo: Ben Fon
Lighting Design 'Heathers The Musical'
Act 1 Scene 1 (Beautiful Part 2)
Photo: Ben Fon
Set and Costume Design 'Gesturing Weaving Unfolding'
Original set concept by Saskia Permezel
Photo: Gregory Lorenzutti
Set and Costume Design 'Gesturing Weaving Unfolding'
Assorted clips from performance
Videography by NON Studio
Set and Costume Design, Associate Lighting Design 'Rarely'
Part of a season of devised works using a shared stage space.
Photo: Drew Echberg
Set and Costume Design, Associate Lighting Design 'Rarely'
Part of a season of devised works using a shared stage space.
Photo: Drew Echberg
Set and Costume Design, Associate Lighting Design 'Rarely'
Part of a season of devised works using a shared stage space
Photo: Drew Echberg
Set and Costume Design, Associate Lighting Design 'Rarely'
Part of a season of devised works using a shared stage space
Photo: Drew Echberg
Tom (he/him) is a set and costume designer, and lighting designer and technician based in Naarm/Melbourne. He has a keen interest in the manipulation of space and creation of bold aesthetics and recently completed a Bachelor of Fine Arts (Production) at the Victorian College of the Arts (VCA).
His VCA credits include Set and Costume Designer for devised theatre production 'Rarely' (2022), Set and Costume Designer for 'Gesturing Weaving Unfolding' (chor. James Batchelor), and Lighting Designer for 'Heathers the Musical' (dir. Alister Smith).
He has completed secondments with Set Designer Richard Roberts on The Australian Ballet's 'Don Quixote', with Melbourne Theatre Company's Design and Staging Department, and with the Electrics Department at Michael Cassel Group's 'Mary Poppins'.
Lighting Design 'Heathers The Musical'
Act 2 Scene 8 (Finale)
Photo: Ben Fon