Set Design ‘Little Women’
Marmee reads a letter to the girls from their father, who is off at war.
Photo: Ben Fon
Set Design ‘A Mile In Her Shadow’
Set Concept Model, The Lawler, Southbank Theatre 1:50
Photo: Amanda Hitten
Production Studio 3 ‘Boundless Blouse’
Studio Work
Photo: Amanda Hitten
Senior Costumier 'BTEX'
White Two Piece Set, ‘The White Devil’ . For Sam Blunn, Designed by Miriam Clare
Photo: Gregory Lorenzutti
Senior Costumier 'BTEX'
White two piece set, ‘The White Devil’ stitching detail
Photo: Amanda Hitten
Costume Maker 'Merrily We Roll Along'
Gussie’s Broadway Star Robe. Lavender Triacetate, Hand-Stitched Feather Boa Hems
Photo: Drew Echberg
Set and Costume Design, ‘Footprints’
Choreographer Ngioka Bunda-Heath. Dancers raise a veil from the sand
Photo: Gregory Lorenzutti
Set and Costume Design, ‘Footprints’
Choreographer Ngioka Bunda-Heath. Dancers gather together at the end of the dance.
Photo: Gregory Lorenzutti
Filipe Filihia is a set and costume designer working in Melbourne who explores their intersectional heritage through experimental design and storytelling.
Recently completing studies at the Victorian College of the Arts, he is hoping to continue their practice of bringing marginalized communities to the forefront of the theatrical world.
Their credits include LELE (2022/2023) with Western Edge Youth Arts, and 'Footprints', choreographed by Ngioka Bunda-Heath, a production within the 2022 VCA Dance graduation season 'Alter Kinetic'.
Further work includes an internship with Sophie Woodward on Red Stitch Actors' Theatre's 'Monument' by Emily Sheehan, and Costume Construction for Joel Bray's 'Brolga: A Queer Koori Wonderland' as part of the 2023 Fringe Festival.
Set Design ‘Little Women’
Marmee reads a letter to the girls from their father, who is off at war.
Photo: Ben Fon